Showing posts with label MS MR. Show all posts
Showing posts with label MS MR. Show all posts

Saturday, October 5, 2013

Review: HAIM and MS MR



Last night MS MR and HAIM played a sold-out club show in anticipation of their appearances at Austin City Limits Festival. It was my first visit to the newest version of Antone's and I have to say, fuck the haters. The space that is now labeled Antone's over on East Riverside is a great room. It's an intimate venue with great sight-lines. The sound is fantastic, access to the bar is easy, access to the bathrooms is handy. Did you notice that bathroom was plural? That's right, there are TWO! The parking lot was full by the time we arrived but we managed to find street parking across the way near Buzzmill.

As I mentioned the show was sold-out, and both HAIM and MS MR are pretty buzzy right now so I anticipated a crowd full of scenesters who were more interested in saying they were at the show than actually watching the show. This was not the case at all. As we walked toward the venue I heard the man in front of us hurrying his girlfriend because he was concerned he might miss the opening moments of MS MR's set. That bit of eavesdropping truly set the tone for the night.


HAIM - Don't Save Me video via YouTube

Mer, Mr. S. and I walked into Antone's found a good place to stand and about the same moment that MS MR took the stage. We were watching from the balcony so we could see the crowd just as easily as we could see the band. It took a song or two for the crowd to really get into it but by the third song MS MR has the crowd eating out of the palms of their hands. There was dancing, singing, and an overall feeling of exhuberance that flowed back and forth between the crowd and the performers. You could see it on the band's faces as the set progressed, they were feeling the intense love from the crowd and they reflected it right back.

There are bands that create songs in a vacuum and then when they perform them they do so timidly. MS MR is not one of those bands. They perform like a band who has been on their grind playing half-empty clubs for year. They don't just stand on stage and run through their songs. They live every word and feel every break. It was plainly evident that they were having a lot of fun on stage and they were psyched to be sharing the bill with HAIM.

HAIM is one of the buzziest bands in the indie-verse today. Last night's show was their first U.S. performance since the release of their album on Tuesday. Their set began roughly 12 hours after the band's feet touched American soul and it was followed by a DJ gig. Most people under these circumstances would be zombies but the ladies of HAIM are pros. They have been trying to achieve their music dreams as a band since 2008 and now that they are on the cusp of their dreams becoming a reality they are elated.

I knew that HAIM wrote great songs and that their record is brilliant and I had read all of the buzz about them. Hell, I even featured them as a band to catch at SXSW this year but until I was in the same room with them I felt like the whole thing could be an elaborate marketing campaign. Turns out, I was wrong. Or maybe I was right but they are still incredibly fucking good. I walked out of Antone's after seeing HAIM last night convinced of this band's superstardom. I guarantee the band's next non-festival, Austin appearance will be a sold-out show at Stubb's.

Not only is the songwriting on point, the musicianship was also on point, the banter was on point, and the stage presence was also on point. The sisters of HAIM have that 'it' factor that compels an audience to watch them. I was incredibly impressed with their crowd control skills. They know just when to yell, "C'mon!" and get the crowd to roar, they know just when to flirt with the crowd and when to shred and unleash a psychedelic freak-out. When we all sang along to, "Say you will, say you will save me." We all meant it and it felt like they could.

I won't be attending ACL Festival until next weekend and I'm already counting down the hours until I get to see HAIM perform again. Don't let your pre-conceived notions of this band prevent you from seeing them if you get the chance. Those of us who were at Antone's last night have seen the future and the future is 3 sisters from L.A..


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Wednesday, March 20, 2013

SXSW 2013 Wrap-Up Vibes: Bloggy Is Snobby

SXSW is what you make of it. It's that simple. I've seen lots of post-festival coverage railing against the corporate-vibes, the platinum-artist-vibes and the festival's authenticity. To which I say, that's your fault. You don't jump through all of the hoops to get into the Justin Timberlake show then complain about how it's detracting from the focus of the festival. You jumped through the hoops, you stood in lines, you wasted an entire day of the festival to get your ass in that door. Accept that you ruined it for yourself and move on.

So, before you ask or wonder, no I didn't see: Usher, Justin Timberlake, Green Day, Prince, Third Eye Blind, Dave Grohl or even Local Natives. I spent my SXSW at smaller events, trying to catch up-and-coming and/or under-discovered artists. I snobbed-the-fuck out and I am SO happy that I did. I'm proud of all of you for getting to share intimate experiences with multi-platinum selling artists but I was watching bands who are hungry. I'm sure Justin Timberlake put on a great show but that motherfucker is far from hungry. He is about as well-fed as you can get and he doesn't need any of my time, money or attention now or ever. Of course I'd love to see Prince in a venue the size of La Zona Rosa and I invite him to do another pop-up show in our fair city any other time of the year he chooses but SXSW is my time to see International acts in tiny clubs. So, I'm going to focus on that.


D I A N A - Born Again video via YouTube

Just like last year, I did a blend of day-parties and official showcases at night. Each year I become more disillusioned with day-parties and unofficial events though. There are always bands I want to see who are playing the parasitic events surrounding the festival and I'm drawn to them like a moth to a flame. Then, after standing in horrifically long, sweaty lines amongst people who should have been aborted, I get into an overcrowded space surrounded by drunken assholes who couldn't care less about what's happening on the stage.

I adore the band, Inc. and I think they have released one of the best records of 2013 so, when I saw they were playing the Fader Fort I planned my day around their set time. Sadly, they started around 5pm which means the crowd had already indulged on free alcohol for several hours and they couldn't care less about Inc.. Even with my earplugs and intense focus it was difficult to enjoy the set surrounded by 1000's of drunken neanderthals.

This brings me to another point, which is that the sound-mix at most of these unofficial events is reprehensible. Fader Fort is known for bringing out big or up-and-coming hip-hop acts so, their sound design is set up to have a HUGE low-end. This means that a band like Inc. sounded completely muddy and out-of-balance. This problem is not exclusive to Fader or day-parties in general. Lots of the sound during SXSW sucks ass and it's not entirely the fault of the sound engineer. Sometimes it's the equipment, sometimes it's the space, sometimes it's the band itself. If you're playing in a tiny room and your guitar amps are mic'd then you don't need to crank the amps up. If you have your amp on 8, then you stick a mic connected to the PA in front of it, do you think anyone's going to be able to hear the vocal? If you answered yes to this question, you're wrong.

So, let's get to the point shall we? We all know that no one has the attention span to read all of these words regardless of how much I enjoy writing them so, here's ten artists that made 2013 one of my best SXSW festivals to date:
Some of these artists, like Orthy and Caveman I had seen before and I was pre-disposed to like. Others I had listened to extensively but had not seen perform and a couple I didn't expect to be good ended up completely blowing me away.

When people ask me, who was my favorite act this year I tell them without hesitation that it was Diana. I had only heard one song from Diana and it's good but the recording doesn't give you any indication how spectacular they are live. This band hails from Canada and features zero members named "Diana." I saw them at Empire Control Room Wednesday night and it was one of the most magical experiences of my life. This band is the reason I love SXSW. Each year there is at least one set that gives me an epiphany moment and I find myself contemplating what I can do to make this band famous. Diana was the first band to trigger that irrational thought-process this year and they became the high mark that all other sets had to live up to. I can't even describe what was so arresting about their set other than to say it was visceral, it was groovy and it was the coolest.

Blue Hawaii was the other band that truly blew me away this year. Dan from End of an Ear had suggested I listen to them because he is a fantastic record-shop owner and he knew I would like them based on other things I've purchased. When I listened to the record I wasn't really impressed. I thought their name was too precious and their music was too sterile. I popped in to catch their set at Swan Dive on a whim. Their soundcheck was truly bizarre as these two figures shared a mic to communicate with the sound-engineer trying to tweak their sound until it was just right. As their set started I wasn't immediately drawn in. The thing that really got me about Blue Hawaii is how primal it is. It's almost as if you don't notice the song at first but before you know it you're entranced and dancing uncontrollably. Their set progressed like a fantastic DJ set, with the whole thing building toward a mid-set climax that had the entire room screaming, jumping, dancing and clapping. By the end of the set the crowd erupted, cheering, clapping and screaming for more. Those of us who were at Swan Dive for Blue Hawaii Friday night truly shared a moment and I can not WAIT to see this band again.

Since my SXSW was so highly curated, I had very few low-lights. I did my research before hand and I wrote out an achievable plan each day. I saw many of the artists I wanted to see and didn't waste a lot of time moving between venues or standing in lines. The only major exception to this was seeing Brooke Candy. Somehow, I had never heard of this person and my world was better then. I arrived too early for XXYYXX and was subjected to this fake, plastic bitch. At first I was enjoying the incredibly shallow songs I was hearing and then I started to really look at the stage. I noticed that Brooke was barely even trying to mime along to the tracks. Basically, the audience was "treated" to Brooke's songs being played from a laptop as she stalked around the stage looking like some sort of Mad Max prostitute with a Mic in her hand mostly for show. Her songs professed her realness while everything about her and her performance stood in stark contrast to that message. Do not support this fake-ass, art-school-project, faux-feminist, Daddy-didn't-give-me-enough-attention BULLSHIT! I would have preferred a performance from Brooke Hogan to a performance from Brooke Candy.

So, there you have it. If you get the chance to see any of the ten artists I highlighted above I STRONGLY URGE you to do so. Conversely, if someone tries to get you to attend a "performance" from my one low-light artist tell them you'd rather contract an STI. I had lots of fun with Instagram at SXSW this year so you can find some fun pictures over there.

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Wednesday, March 6, 2013

SXSW 2013 Preview: MS MR



If the music of MS MR is good enough for the latest Game of Thrones trailer, it's good enough for you. Making moody synth-pop that's reminiscent of 90's music this New York duo has been making waves since the release of their song, Hurricane. As of right now they have yet to release a full-length album but it's coming soon and even if it was never released their four song EP, Candy Bar Creep Show is good enough to cement their place in indie-rock. I'm warning you now, MS MR are coming into SXSW with a lot of buzz so expect any of their appearances to be pretty mobbed with people. I saw one of my co-workers post on Facebook that he hoped their appearance at Lambert's would be low-key. I didn't want to quell his hopes but I can tell you, that is not going to happen.


MS MR - Fantasy video via YouTube

Here's what I have dredged up for info regarding appearances of MS MR at SXSW:
  • Wednesday, March 13th - Lambert's - 3:30pm
  • Thursday, March 14th - Hype Hotel - 12am *OFFICIAL*
  • Friday, March 15th - Cedar St. - 2pm

As usual, it's possible there are more shows in the words and/or that they won't be able to make all of the ones you see above. It's also possible that some of these events require secret passwords/handshakes for you to get in so do your research.

***Previously Featured Artist: High Highs***

SXSW 2013 Pinterest Boards


SXSW 2013 Spotify Playlists


Let's Socialize


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